Arts & Entertainment
89,751 views
25 min · 3 min read
7 steps
Advanced

How to create stop-motion claymation basics

Claymation is a hands-on, frame-by-frame way to bring clay characters to life. This guide walks you through the basic materials, setup, shooting, and simple post-production so you can make short, smooth stop-motion scenes. Expect to spend a few hours for a first 10–20 second test clip.

Verified by pleasexplain editors
  1. Step 1: Gather basic materials and tools

    Collect 250–500 g of modeling clay in 6–8 colors, a sturdy metal armature wire (18–24 gauge) for posable figures, a small metal or wooden base, clay-safe tools (needle tool, shaping knife, ball tool), a steady tripod and a camera with manual settings. Having these specific items reduces frustration and lets you shape, pose, and shoot reliably.

    [Illustration: table with colorful clay blocks, wire armature, small tools, tripod and camera on a plain background]

  2. Step 2: Build simple armature figures

    Cut and bend armature wire to form a spine and limbs, wrapping thinner wire or aluminum foil to bulk out the torso before covering with clay. Make figures about 8–12 cm tall so they are easy to handle; armatures prevent sagging and keep consistent poses between frames.

    [Illustration: small hand holding a wire skeleton being wrapped with foil and clay]

  3. Step 3: Create a controlled set and background

    Use a foam core board or wooden base measuring 30 x 30 cm for your stage and attach colored paper or painted cardboard as a backdrop. Keep the set elements fixed with double-sided tape so only characters move, which ensures continuity and reduces flicker.

    [Illustration: miniature stage with painted cardboard backdrop and small props taped down]

  4. Step 4: Set up consistent lighting

    Use two LED panel lights at 45-degree angles from the subject, each around 300–500 lumens, to avoid harsh shadows; use diffusers or tracing paper to soften the light. Consistent lighting prevents flicker across frames and keeps color stable in your final video.

    [Illustration: pair of LED panel lights with diffusers illuminating a small clay scene]

  5. Step 5: Mount camera and choose settings

    Place the camera on a tripod directly in front of the set and use manual mode: fixed aperture (f/5.6–f/8), shutter speed 1/60–1/125 s, ISO 100–200, and manual white balance. Lock focus and framing so nothing shifts between frames; these numeric settings keep images sharp and evenly exposed.

    [Illustration: camera on tripod aligned to a miniature set with display showing manual settings]

  6. Step 6: Plan motion and shoot in small increments

    Storyboard 6–10 key poses, then shoot in-between frames moving limbs 1–3 mm per frame for smooth motion at 12 frames per second (fps). For a 10-second scene at 12 fps you will need 120 frames; breaking actions into small, consistent increments produces natural movement.

    [Illustration: hand adjusting a clay arm with measuring ruler next to a camera showing frame count]

  7. Step 7: Capture and assemble frames

    Transfer photos to a computer and import into stop-motion software or a video editor set to your chosen frame rate (8–24 fps). Review the sequence, delete any blurry frames, and export a draft video to check timing before adding sound or final color corrections.

    [Illustration: computer screen showing a timeline of sequential photos being assembled into video]


  • Start with one- to two-second tests to practice movement and timing before committing to longer scenes.
  • Keep spare small balls of clay and extra armature wire nearby for quick repairs during shooting.
  • Use a remote shutter release or camera tethering to avoid camera shake when capturing frames.
  • Label props and background pieces with small numbers or tape so you can reset them exactly after larger movements.
  • Work in short sessions of 20–40 minutes to avoid fatigue and keep movements consistent.
  • Record a scratch audio track or notes while shooting to match mouth shapes and timing later.

  • Avoid handling clay with dirty or oily hands — skin oils change color and texture and can make poses slip.
  • Do not change any lighting, camera position, or focus while shooting a sequence or you will get flicker and jumps in the final video.
  • Keep hot lights and open flames well away from clay and paper sets to prevent warping or fire hazards.
  • Avoid large, fast movements between frames; excessive motion causes choppy animation and requires many extra frames to fix.

Was this guide helpful?